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		<title>Psychic TV</title>
		<link>http://blogbit.wordpress.com/2009/02/13/psychic-tv/</link>
		<comments>http://blogbit.wordpress.com/2009/02/13/psychic-tv/#comments</comments>
		<pubDate>Fri, 13 Feb 2009 15:05:01 +0000</pubDate>
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		<description><![CDATA[Il progetto Psychic TV nasce in Inghilterra dalle ceneri dei Throbbing Gristle, è rappresenta un&#8217; esperienza di arte &#8220;multimediale&#8221; (video e musica) basata principalmente sulla psychedelia, l&#8217; elettronica sperimentale ed il punk. Genesis P-Orridge, ed il videomaker Peter Martin Christopherson, entrambi provenienti dai Throbbing Gristle, inscenano suggestioni industriali e inquietanti atmosfere acide nelle lore performance. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blogbit.wordpress.com&amp;blog=430750&amp;post=13&amp;subd=blogbit&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><img src="http://blogbit.files.wordpress.com/2009/02/ptv1989.jpg?w=300&#038;h=183" alt="ptv1989" title="ptv1989" width="300" height="183" class="alignleft size-medium wp-image-14" />Il progetto <strong>Psychic TV</strong> nasce in Inghilterra dalle ceneri dei <strong>Throbbing Gristle</strong>, è rappresenta un&#8217; esperienza di arte &#8220;multimediale&#8221; (video e musica) basata principalmente sulla psychedelia, l&#8217; elettronica sperimentale ed il punk.  <strong>Genesis P-Orridge</strong>, ed il videomaker <strong>Peter Martin Christopherson</strong>, entrambi provenienti dai Throbbing Gristle, inscenano suggestioni industriali e inquietanti atmosfere acide nelle lore performance.<br />
Il primo album esce nel 1982, con il titolo &#8220;<strong>Force The Hand Of Chance</strong>&#8220;, caratterizzato da un&#8217; impronta decisamente acid-rock, e dai ricorrenti soliloqui di P-Orridge. Un pezzo molto caratteristico è <strong>&#8220;Message From Thee Temple&#8221;</strong>, dove P-Orridge sovrappone una recitazione soave alla Donovan su violini mischiati a marziali drum-machine. Da notare la collaborazione di <strong>Marc Almond</strong> in <strong>&#8220;Guiltless and Stolen Kisses&#8221;</strong>.<br />
Il secondo album, <strong>&#8220;Dreams Less Sweet&#8221;</strong>, esce l&#8217; anno seguente, nell&#8217; 83, e sostanzialmente continua il discorso musicale intrapreso dal primo.<br />
Tra l&#8217; 86 e l&#8217; 87 la band si propone di pubblicare 23 live album, ma riesce a pubblicarne solo 17, entrando per questo motivo nel Guinness Book of World Records come band che ha pubblicato più lavori in un anno. Nel corso degli anni sono tantissimi gli artisti che collaborano con gli Psychic TV, tra cui <strong>Soft Cell</strong>, ma anche personaggi meno noti che comunque godono di una certa fama nella scena underground di quei tempi, come <strong>Monte Cazazza</strong> (al quale si fa risalire la coniazione del termine &#8220;industrial music&#8221;) ed il percussionista <strong>Z&#8217;EV</strong>.</p>
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		<title>Morphine</title>
		<link>http://blogbit.wordpress.com/2008/09/07/morphine/</link>
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		<pubDate>Sun, 07 Sep 2008 22:32:30 +0000</pubDate>
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		<description><![CDATA[Un basso cupo e un sassofono che va dritto al cuore. Un&#8217;atmosfera notturna e fumosa. E&#8217; la formula dei Morphine, band tra le più innovative degli anni Novanta. Ecco la storia di questa &#8220;baritone experience&#8221;, come l&#8217;aveva definita il leader Mark Sandman. I Morphine, sax baritono, batteria, basso a 2 corde e la voce scura [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blogbit.wordpress.com&amp;blog=430750&amp;post=5&amp;subd=blogbit&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<strong>Un basso cupo e un sassofono che va dritto al cuore. Un&#8217;atmosfera notturna e fumosa. E&#8217; la formula dei Morphine, band tra le più innovative degli anni Novanta. Ecco la storia di questa &#8220;baritone experience&#8221;, come l&#8217;aveva definita il leader Mark Sandman.</strong><br />
I Morphine, sax baritono, batteria, basso a 2 corde e la voce scura del cantante/leader Mark Sandman, creano atmosfere piano bar da night club, di fumo e di bicchieri mezzi vuoti sul bancone del bar.</p>
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		<title>Brian Eno</title>
		<link>http://blogbit.wordpress.com/2007/06/09/brian-eno/</link>
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		<pubDate>Sat, 09 Jun 2007 12:32:30 +0000</pubDate>
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		<description><![CDATA[Brian Peter George St. John le Baptiste de la Salle Eno, in arte Brian Eno, nasce a Woodbridge nel 1948, e inizia a lavorare come tecnico multimediale e grafico nel 1969 a Londra, dove conoscerà Brian Ferry e Phil Manzanera, formando con loro i Roxy Music, formazione Glam/Rock attiva dal &#8217;71 fino ai primi anni [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blogbit.wordpress.com&amp;blog=430750&amp;post=4&amp;subd=blogbit&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://blogbit.files.wordpress.com/2008/09/brianenostudio90slv9.jpg"><img src="http://blogbit.files.wordpress.com/2008/09/brianenostudio90slv9.jpg?w=300&#038;h=170" alt="" title="brianenostudio90slv9" width="300" height="170" class="alignleft size-medium wp-image-10" /></a><strong>Brian Peter George St. John le Baptiste de la Salle Eno,</strong> in arte <strong>Brian Eno</strong>, nasce a Woodbridge nel <font color="#ff0000">1948</font>, e inizia a lavorare come tecnico multimediale e grafico nel <font color="#ff0000">1969</font> a Londra, dove conoscerà Brian Ferry e Phil Manzanera, formando con loro i Roxy Music, formazione Glam/Rock attiva dal <font color="#ff0000">&#8217;71</font> fino ai primi anni <font color="#ff0000">&#8217;80</font>, che vedrà la sua partecipazione fino al <font color="#ff0000">&#8217;73</font>.  In quell&#8217; anno uscirà l&#8217; album più rappresentativo dei Roxy Music,  <em>&#8220;For your pleasure&#8221;, </em>seguente il primo album <em>&#8220;Roxy music&#8221;.</em><br />
Poco dopo <strong>B.E</strong>. lascierà il gruppo per collaborare con Robert Frip (King Crimson) a <em>&#8220;No Pussyfooting&#8221;</em> e successivamente, nel <font color="#ff0000">1974</font>, realizzerà i suoi primi due lavori da solista <em>&#8220;Here Come The Warm Jets&#8221;</em> e <em>&#8220;Taking Tiger Mountain&#8221;.</em><br />
Nel <font color="#ff0000">1975<font color="#000000">, incontrerà nuovamente Robert Frip ed insieme a Phil Collin e John Cale inciderà </font></font><em>&#8220;Another Green World&#8221;</em>.  Sempre in questo periodo, oltre a dedicarsi ad altre forme di espressione quali la pittura, la scultura ed il video, pubblica due libri <em>&#8220;Music For Non Musicians&#8221;</em> e <em>&#8220;Oblique Strategy&#8221;</em>.  Sempre con Frip e con la collaborazione di David Bowie nel <font color="#ff0000">1977</font> in Germania registra<font color="#000000"> <em>&#8220;Before and after science&#8221;</em>. </font><br />
Con quest&#8217; ultimo collaborerà alla trilogia composta dai tre album <em>&#8220;Low&#8221;</em>, <em>&#8220;Heroes&#8221;</em> e <em>&#8220;Lodger&#8221;</em>.                                          Negli anni 1978 e 1979 vedranno la luce i suoi 2 album più caratteristici, rispettivamente  <em>&#8220;Music For Films&#8221;</em> e <em>&#8220;Music For Airports&#8221;. </em></p>
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